It surprised me that Richard was the more sensitive one
throughout the whole story. He tried not to cry while he fixed a lock on a
door: “…clumsily hammered and chiseled, each blow a kind of sob in Richard’s
ears.” He did cry at the supper table: “The tears would not stop leaking
through, they came not through a hole that could be plugged but through a
permeable spot in the membrane, steadily, purely, endlessly, fruitfully.” Joan
seemed really unemotional the entire time.
My first thought was that Richard must not want to go through
with the separation because of how emotional he was and the way he had such a
hard time telling his children, especially when he kept putting off telling his
second son. Then I started second
guessing myself. When he was talking to John he said “We’ll think about getting
you transferred. Life’s too short to be miserable.” Why would he say that when
he himself seems to be miserable? Then when he’s bringing Richard Jr. home we
find out that there’s another woman in Richard’s life. “The home of the woman
Richard hoped to marry stood across the green.” Perhaps Richard was having an
affair and that is the reason he is so emotional, because he feels such guilt.
This statement could be supported when Richard said to Joan in their bedroom, “they
never questioned the reasons we gave. No thought of a third person. Not even
Judith.” They must have been surprised/relieved that the children didn’t figure
it out.
I had a very similar experience reading this story. When Richard was first doing tasks around the house I thought maybe he was having an affair just because it appeared that he hadn't been doing little jobs around the house which suggests an absence from the family's life in general. The entire story appeared to be full of subtle hints about the marriage that might only be apparent to a reader who is paying very close attention. I like that with Updike the hints are slipped in among the details while compared to Hemingway who sort of gives you details as hints about the people and emotions in the story.
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